Film Review: Queen Of Katwe

queen-of-katwe_rWith Queen of Katwe, Mira Nair has, as in Mississippi Masala (1991), put Uganda once more on the world map. Based on a true story, QoK is a simplistic tale of an 11-year-old who is plucked from virtual obscurity to being a global chess player.

It’s 2007 in the poverty-stricken slums of Katwe, in Kampala, Uganda. Widowed Nakku Harriet (Lupita Nyong’o) struggles to bring up her two sons and two daughters. Even basic education is out of the question as there is barely any food to go around. There’s Robert Katende (David Oyelowo), a former football player turned missionary who has his heart in the right place. Supported by his wife, he trains the ‘Pioneers’ — a group of local youth in football and chess. Sensing prodigious talent in one of his wards Phiona (debutante Madina Nalwanga), he trains her in the board game. Katende’s perseverance takes Phiona from her school to local to national upto the world stage in a span of four years.

Mira Nair embeds thought provoking philosophy by way of slogans, such as ‘Your life is what you make of it’ or ‘Come let us reason together’ to infuse a sense of fortitude in Katende’s protégés.

At a shade over two hours-QoK is an easy-paced film, not wearisome even for the non chess-player. With the naivety of children and their joie de vivre seeping through despite their stark and abject poverty, Mira Nair infuses enough metaphors to give the film an unpretentious feel, yet thoroughly absorbing. Lupita Nyong’o as the mother striving against all odds in bringing up her four children, including her wayward elder daughter Night, is excellent. Nair has the ability to draw out admirable and accomplished performances from new-comers (Salaam Bombay) and in QoK too, it shows.

The cinematography of the Kampala shanties is appealing, while Dinaz Stafford, who had done the casting for Nair’s Mississippi Masala, Kama Sutra, etc., is spot-on here too.

Similar Posts

  • Film Review: Hereditary

    ‘Collateral Damage’… “She wasn’t altogether there at the end,” says Annie Graham (Toni Collette) of her mother, Ellen, while delivering her eulogy. She also describes the departed woman, with whom Annie had a none-too-warm relationship, as ‘secretive’ and ‘private’. Among those attending the funeral are her husband Steve (Gabriel Byrne), teenaged son Peter (Alex Wolff)…

  • AMAR AKBAR AKOORI

    Statutory Warning: This play is injurious to health because you may fall off your seat while laughing, especially during the first half! Any play from Silly Point Productions is not at all silly since laughter is serious ‘business’ for them. (Pun on ‘business’ intended considering the ticket prices!) This play picks you up from the very first…

  • Film Review: PARCHED

    In a country where archaic laws prevail, especially over women, and in a society where hollow traditions are hallowed, a film with a subject so bold as to tackle female emancipation has to be lauded. Set in an obscure village in Rajasthan, the film has four protagonists, all of them subjugated in various ways. There’s…

  • Film Review: PADMAN

    ‘Padma_ _ ‘ seems to be the flavour of the season. Based on the true story of Coimbatore school dropout Arunachalam Murugananthan, who revolutionised the concept of making affordable sanitary pads for rural women, R. Balki’s PadMan is fictionalised enough to stray from the realms of a documentary. Lakshmikant Chauhan is a welder in Maheshwar,…