Film Review: Short Films By bLOGiMLY

short-filmsShort films usually have a deep underlying message attached to them — social, political or religious.  They also come with baggage — that of finance, distribution and exhibition constraints although their ultimate aim is to be screened at Film Festivals. All three shorts, screened on Sunday 27th November by aspiring filmmaker Nozzer Pardiwala, have a missive and a social commentary. First time actors all, it’s a sincere and commendable effort.

.

DHUND: WORLDS APART (6 min)

Cast: Shahen Pardiwala, Surbhi Sharma, Kashmira Kapadia.

The three protagonists, to all appearances, are linked.  On closer scrutiny, however, there’s an apparent disconnect among them.  The message is clear — in today’s hurried pace, social mores notwithstanding, one has one’s encumbrances to tend. A more deft intercutting of frames would have heightened the interest and helped spread the message.

.
RIGMAROLE (13 min)

Cast: Shahen Pardiwala, Chetnaa Mehrotra, Mohammed Khan.

Easily the best of the three, although the title is a misnomer. It epitomises a social problem — marital discord and oppression leading to its ultimate step, suicide.  A housewife, whose marriage is tottering, is on the verge of suicide, when a teenager, by his sharp reflexes, artfully weans her away from it, even as ‘Lambi raatein, khamosh aahein’ sung and composed by Mohammed Khan plays in the background.

.
THAT DAY (20 min)

Cast: Shahen Pardiwala, Rupal Rawal, Hasmukh Rawal.

Familial disharmony and a sense of guilt are portrayed in this short film. ‘Life is like a carrom-board – you get jostled all around’ says the central character before succumbing to life’s pressures and ‘the most painful goodbyes’ take over.

Similar Posts

  • Film Review: Naam Shabana

    The phenomenal success of the 2015 Neeraj Pandey directed ‘Baby’ (oh yes, it was Akshay Kumar’s baby back then) undoubtedly inspired him to write ‘Naam Shabana’, a prequel to explain the female protagonist’s entry into the faceless agency that looks after the country’s security. Shabana, a martial arts champion, lives with her mother Farida (Natasha…

  • Film Review: Thappad

    ‘A marriage is a deal’, utters a character midway through the film. That this deal does not turn out to be ideal is the focal point of Anubhav Sinha’s two-hour-plus film, co-scripted by him and Mrunmayee Lagoo, with script finishing touches by Anjum Rajabali. Amrita Sabherwal is a loving, dutiful housewife (having given up her…

  • Jackie

    Married for 10 years and First Lady for a shade under three years, Jacqueline Kennedy has been arguably the most popular and charismatic First Lady of the US, even after her remarriage five years after her husband John F. Kennedy’s assimilation. Chilean director Pablo Larrain’s Jackie is an account of her interview to Life correspondent…

  • Film Review – Madaari

    The intense chemistry between Nirmal Kumar (Irrfan Khan) and young lad Rohan Goswami (Vishesh Bansal) paves the way for a – not exactly thrilling, but – fascinating film. Nirmal ingeniously kidnaps Rohan, the son of the Home Minister and demands to identify the perpetrators of the man-made calamity which snuffed out the life of his…

  • Film Review: Baazaar

    ‘What goes up must come down’ – director Chawla gives us a lesson in quantum physics while loosely adapting his film on the 1987 Michael Douglas and Charlie Sheen starrer, ‘Wall Street’. Rizwan Ahmed (debutant Rohan Mehra) is a small-time share broker from Allahabad who aims big, he sets base in the commercial capital to meet,…