Film Review: MANMARZIYAAN

Genre: Drama, Romance, Comedy
Rating: 3/5
157 minutes
Director: Anurag Kashyap

Whatever Punjabis do, it’s not only without inhibition but with a great deal of spontaneity. If ‘Udta Punjab’ (2016) showcased the rampant drug menace in the state, ‘Manmarziyaan’, Anurag Kashyap’s latest — a romantic comedy — has dollops of free-spirited, licentious and overt passion.
Kashyap, one of India’s most intrepid and audacious directors, has now, in his latest, trained his sights on a romantic triangle. The orphaned Rumi (Tapsee Pannu) and Vicky (Vicky Kaushal), an aspiring DJ, are passionately in love with each other — till one day, Rumi’s aunt catches her, well, almost red-handed. Vicky continues professing his love for Rumi, but is perennially undecided and unable to commit to marriage.
This is the reason for Amritsar-born writer Kanika Dhillon now to shift gears and introduce the third character —Rumi’s prospective groom — London returned banker Robbie — Rajbir Bhatia (Abhishek Bachchan).
The 157-minute film (stretched by at least 20 minutes) has some award-winning performances from Vicky Kaushal (Raazi, Sanju) and Tapsee Pannu, who’s come a long way from ‘Pink’ and ‘Naam Shabana’ to ‘Mulk’ and ‘Manmarziyaan’.The gravitas in her latest here is underlined by her vivacity, her native Punjabi accent which she nails head-on and her bubbly looks. Kaushal steals the show in the first half. His boundless energy, coupled with Pannu’s chutzpah, sets the tone for a taut first half.
Abhishek, seen on the big screen after a couple of years and despite bagging a tailor-made role, fails to make the desired impact and comes third-best. He seems to struggle with his accent which is neither Punjabi nor British.
Largely shot in Punjab, the film travels to Delhi and Kashmir where cinematographer Sylvester Fonseca has captured the scenic locales well. With more than ten songs by Amit Trivedi (Dear Zindagi) in the film — although the strains of Dhyaanchand and two more are catchy — Kashyap’s intentions seem unclear. The second half is the weak spot in the film and at one stage the viewer would have been happy had Rumi tossed a coin to decide on her future partner.
And yes, the film opens quite well — with a song and the synchronized dance by the twins Poonam and Priyanka Shah, but  Kashyap seems infatuated with the twin syndrome and overdoes it in the movie.
Overall, it’s certainly worth a one time watch — Vicky Kaushal and Tapsee Pannu’s performances ensure it so.

Similar Posts

  • |

    FILM REVIEW: PATAAKHA

    Genre: Drama, Comedy Rating: 3/5 136 minutes Director: Vishal Bhardwaj Vishal Bhardwaj has always been known to do the unexpected – in a typical deviation, this time he lays focus in the hinterland of Rajasthan. Adapted from a six-page story, ‘Do Behnein’ by Charan Singh Pathik in which two sisters Champa ‘Badki’ (Radhika Madan in an impressive…

  • The Zen Series: Embracing Your Challenges

    [otw_shortcode_info_box border_style=”bordered” background_color=”#e8e8e8″] Parsi Times presents our readers ‘The Zen Series’ by PT Columnist, Kashmira Shaw Raj – a professional Taichi and Qigong practitioner and teacher, as also a sought-after clinical psychologist and healer. These Zen stories will resonate with you and help you connect within, at a deeper, inner level to encourage and empower…

  • Tux Talks!

    [otw_shortcode_info_box border_style=”bordered” css_class=”boxed”]When it comes to Traditional, Ethnic or Western men’s wear in our Community, one needs not look beyond Kaizad Wadia’s fine fashion and perfect fits.  He dresses his eclectic range of clients with impeccable style and timeless grace – be it our traditional wear like Daglis, or the more formal custom clothing like…

  • દીકરી અને પુત્રવધુનો તફાવત!

    હોસ્પિટલ અને ઘર વચ્ચે દોડતી મારી પુત્રવધુ ને આજે હું પ્રેમથી જોઈ રહયો હતો. ચેહરા ઉપર થાક સ્પષ્ટ દેખાતો હતો. તો પણ હસ્તા હસ્તા રોજ મારે માથે હાથ ફેરવી કહેતી પપ્પા સારૂં થઈ જશે. સદા મેકઅપ અને છુટા વાળ સાથે ઘરમાં મસ્તીથી ફરતી મારી પુત્રવધુને જોઈ હું વિચારતો હતો કે આ ઘરની જવાબદારી કઈ રીતે…