When was the last time one saw a film where tears of sorrow turned to sporadic laughter and the other way around? The third film of playwright-turned-director Martin McDonagh (screenplay too), ‘Three Billboards…’ narrates the story of Mildred Hayes (Frances McDormand), a grief-stricken mother whose daughter was raped and burnt to death and is seeking justice…
Calling all our readers to caption this picture! The wittiest caption will win a fabulous prize! Send in your captions at mailparsitimes@gmail.com by 28st February, 2018. [otw_shortcode_info_box border_type=”bordered” border_color_class=”otw-blue-border” border_style=”bordered” rounded_corners=”rounded-10″ background_color=”#c4dbff”] Winning Caption Kejriwal: “Arre baba!! They were asking for ‘Chaapat’, not ‘Jhaapad’!!!” – By Vivaan Tarapore . [/otw_shortcode_info_box]
Calling all our readers to caption this picture! The wittiest caption will win a fabulous prize! Send in your captions at mailparsitimes@gmail.com by 21st February, 2018. [otw_shortcode_info_box border_type=”bordered” border_color_class=”otw-blue-border” border_style=”bordered” rounded_corners=”rounded-10″ background_color=”#c4dbff”] Winning Caption ‘PNB’ aene sodhi rahelich, loan vasuli ni aasha maa, Ne saheb bolo kaha che? PeeCee na paasa ma!! – By Kayomarz Dotiwalla ….
Early on in the film one of the central characters in the film mouths the dialogue “In our job we cannot afford confusion”. This line could very well have been spoken by writer-director Neeraj Pandey as viewed throughout the first half of the 160 minute film. The lengthy opening disclaimer too is understandable – after…
Calling all our readers to caption this picture! The wittiest caption will win a fabulous prize! Send in your captions at mail.parsitimes@gmail.com by 14th February, 2018. [otw_shortcode_info_box border_type=”bordered” border_color_class=”otw-blue-border” border_style=”bordered” rounded_corners=”rounded-10″ background_color=”#c4dbff”] Winning Caption “Dog: And that is why they put me on a leash but let you wander free… they really don’t want me…
‘Padma_ _ ‘ seems to be the flavour of the season. Based on the true story of Coimbatore school dropout Arunachalam Murugananthan, who revolutionised the concept of making affordable sanitary pads for rural women, R. Balki’s PadMan is fictionalised enough to stray from the realms of a documentary. Lakshmikant Chauhan is a welder in Maheshwar,…
Calling all our readers to caption this picture! The wittiest caption will win a fabulous prize! Send in your captions at mail.parsitimes@gmail.com by 7th February, 2018. [otw_shortcode_info_box border_type=”bordered” border_color_class=”otw-blue-border” border_style=”bordered” rounded_corners=”rounded-10″ background_color=”#c4dbff”] Winning Caption Modi (Aloud): “Agar Aap Hame ‘Dobaara’ Doge Mauka..” Jaitley (to himself): “To Hum Aapko ‘Dobaara’ Denge Dhokaa!” – By Kayomarz Dotiwalla . [/otw_shortcode_info_box]
The info, or rather statistics, imparted to the viewers in the beginning attempts to assure them that they are in for a thriller. We are told that Los Angeles is the bank robbery capital of the world – every 48 minutes there is a bank heist in the City of the Angels. The film opens…
Come Oscar time, and the best that Hollywood has to offer is on display. After ‘There Will Be Blood’ (2007), Phantom Thread reunites director Paul Thomas Anderson and the hugely talented Daniel Day-Lewis.Confirmed bachelor Reynolds Woodcock (DDL) is a scrupulously painstaking and perfectionist couturier – sewing handmade garments for royalty, millionaires and socialites. He hires models…
Calling all our readers to caption this picture! The wittiest caption will win a fabulous prize! Send in your captions at mail.parsitimes@gmail.com by 31st January, 2018. [otw_shortcode_info_box border_type=”bordered” border_color_class=”otw-blue-border” border_style=”bordered” rounded_corners=”rounded-10″ background_color=”#c4dbff”] Winning Caption “Kejriwal: “Hmmm… let’s see… how do I fudge the budget?” Rahul: “Hmmm… let’s see… how do I budge from fudging things!”…
History is seldom recorded by the vanquished and, as such, is frequently inaccurate. The film opens to a slew of disclaimers, no doubt prompted by the dictates of the censors to appease the ‘senas’ who had objected to the inaccuracies in the film, which is inspired by the Sufi poet, Malik Muhammad Jayasi’s 1540 epic poem,…