Film Review: Tutuk Tutuk Tutiya

Film Review: Tutuk Tutuk Tutiya

It’s a trilingual film, produced simultaneously in Tamil (as Devi) and in Telegu (as Abhinetry). Krishna (Prabhu Deva) proposes to practically any female in his multinational company, where he works as an executive.  His repeated attempts to woo modern, hep girls perpetually end in dismal failure. Resorting to marrying a village belle (Tamannaah), but embarrassed…

Film Review: MIRZYA

Film Review: MIRZYA

If a modern-day film with a legendary folktale as the backdrop and boasting of 15 tracks qualifies as a musical, so be it. Let’s check that out later. Mirzya is purportedly based on the lines of immortal sagas such as Heer-Ranjha and Sohni-Mahiwal. Munish and Suchitra are pre-teen classmates, bonding over everything — travelling to…

Mumbai Film Festival

Mumbai Film Festival

[otw_shortcode_info_box border_style=”bordered” css_class=”boxed”]Mumbai’s only major international film festival – MAMI (Mumbai Academy of Moving Image) – kicks off in Mumbai from 20 to 27 October, 2016. Unveiled at a press conference held at the Rang Mandir, Bandra on 29th Sept., Parsi Times film critic, Hoshang K. Katrak, reports. [/otw_shortcode_info_box] For the second year running, giving…

Film Review: THE MAGNIFICENT SEVEN

Film Review: THE MAGNIFICENT SEVEN

Westerns have always been the precursor of the superhero genre. 113 years after the first Western ‘The Great Train Robbery’ was exhibited, this genre still has the potential to  enthrall audiences, despite this film being a remake of the 1960 classic (with itself was patterned on  Kurosawa’s ‘Seven Samurai’). For audiences closer to home, ‘Sholay’…

Film Review: PARCHED

Film Review: PARCHED

In a country where archaic laws prevail, especially over women, and in a society where hollow traditions are hallowed, a film with a subject so bold as to tackle female emancipation has to be lauded. Set in an obscure village in Rajasthan, the film has four protagonists, all of them subjugated in various ways. There’s…